An introduction to the dark and eeire sounds of the diminished scale.

A little Bossa with a lot of diminished chord played three times using single line, octaves and chord melody. Suitable for beginners.

Learn about the half / whole diminished scale and improve your bending, vibrato and legato at the same time.

Using a diminished arpeggio in a Mixolydian context can really help your ideas. This lesson will show you how.

Different possible ways of playing diminished arpeggios in the style of Michael Romeo and Jeff Loomis.

"B" as the seventh string, "low" and "metal" sounding!

Sometimes it's boring to practice different techniques without to play "real" music or songs. So, I hope this lesson can solve the problem!

B is a key that is not used too often on the guitar because of the barre chords - and not too many open chords.

Soloing over the same backing track used for Part 1. No hard chops here, only alternate picking and 16th notes mostly, 80bpm is the tempo. There's only one tiny difference compared to Part 1 and that's time duration of each key.